Here is another review of this great album…
There is on Corea Change a glorious double bass run by Andrew Robb intertwined by the machinations of Konrad Wiszniewski’s sax, brought to an abrupt conclusion by Euan Stevenson’s piano, which in fact bookends the number, encapsulating all that is magnificent about this second release from New Focus.
Throughout there is pure jazz, both sax and piano trading blows while knitted by a phenomenally paced bass, with Wiszniewski playing out of his skin. Now listen to the tracks on either side of Corea Change, Ascension and Braeside.
Ascension opens with a funereal violin before it is elevated by The Glasgow String Quartet, a tune that wouldn’t be out of place on an Ealing Studio soundtrack of the 1940’s, plaintively atmospheric and distinct from Corea Change.
Braeside is quintessentially chamber music, not dissimilar in tone or pace to Ascension, but the hallmark of On Song, with 13 original compositions…
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